055



it was the smallest oceans
that would remain unfathomable.

.
.

054



surfaces, even edges,
were but entranceways.

. .

053



and if she needed to withdraw,
which wasn’t often,
it was never away from
but only between.

.
.

052



by still endeavouring to help,
even when knowing
there was little to be done,
the true depth of her kindness
became readily apparent.

.
.

051



to see the perfection
of the imperfect
always required
the utmost tenderness.

.
.

050



if one blew gently
in any direction,
she would be there,
to receive the words
that cannot be said.

.
.

049



by closing her eyes
so many others were opened.

.
.

048



in praise of shadows
the kettle whispered.

.
.

047



wandering
through dark gardens
her gaze sought shelter
in the shadowed light.

.
.

046



offering the dark light
of unknowing
behind the veil of flesh,
she left the truth
unadorned.

.
.

045



bathed in light
the leaf accepts
that for which the
rose gets credit.

.
.

044



the emptiness
always glistens
whenever anyone
thinks of her.

.
.

043



she built floating bridges
from one side to the other,
and was always there
waiting to welcome
anyone who crossed over.
.
,

042



water too
was a veil.

.
.


just so you know...



Wedding the images of Roxana Ghita with text by Michael Tweed, the beautiful foolishness of things is the gentle companion to however fallible: the revolution of everyday life.

Unless otherwise noted all images © Roxana Ghita, text © Michael Tweed.