167


her hesitation too
brought forth worlds.

.
.

166


and there were those too
who often without realizing it
took seat upon the remnants of light.

.
.

165


those who remained with lowered gaze
had the opportunity to realize that their shadow
and hers were always one.

.
.

164


she wavered gently between,
so that one always had the choice
whether to drift or drown.

.
.

163


she forgot no one—
even the animals
traced her absence.

.
.

162


unassuming
all flowed into her.

.
.

161


some sought within.
others sought without.
neither, however, seemed to notice
that limits themselves could be luminous.

.
.

160


"1...2...3..." silently, to themselves,
they counted how many steps it would take
until they would  be washed away.

.
.

159


by withdrawing she would
allow one to trawl
the otherwise inaccessible.

.
.

158


obscure,
her crossings.

the most sure
forever indiscernible.

.
.

157


she could only ever be seen
not by those who ceased looking,
but rather by those who exhausted it.

.
.

156


the abyss too
was a bridge.

.
.

155


like her,
the world returned
their awe.

.
.

154


unfolding
she veiled herself
in herself.

.
.


just so you know...



Wedding the images of Roxana Ghita with text by Michael Tweed, the beautiful foolishness of things is the gentle companion to however fallible: the revolution of everyday life.

Unless otherwise noted all images © Roxana Ghita, text © Michael Tweed.